L'invitation au voyage

"Dreams! always dreams! And the more the heart is ambitious and delicate, the more the dreams will move it away from the possible. Each man carries in him his own amount of natural opium, secreted and renewed and, from birth to death, how many hours can we count that are filled by positive pleasure, by successful and decided action?"

The thrill of thinking ahead

You have:



And partner opens 1♥!



Wow‼ You were planning to fit in hearts and now partner tells you she has also spades. Question: is 2♠ a reverse ? Depends who you ask.

For partner and me, it is only showing shape. Opener might have extras, we will know later.

So now, what do you do? Do you give fit in hearts or spades? Everybody knows 4-4 fit is better, because on the 5-3 fit, the 2 extra cards will serve to discard losers for the other hand. So you go ahead and bid 3♠.



What is partner doing? She is saying she has a nice hand, but no control in clubs. As you have all suits under control, you KCB.



Now it hits you. What does hit you? Which card would you now like to know about in partner's hand? The Heart Queen. Does she have the heart Queen? If you could know that, you would be able to bid 7. But how? You have discussed about asking bids, but you are not on firm grounds in that department. If you bid now 6♥, is it an asking bid, or to play?

So, you settle for 6♠. Now let's go back for a bit and see what we could have done better.

After 2♠, you were so excited by this double fit that you lost your concentration. What did you do wrong? With spade as trumps, as we saw, you will ask keys, but how will you know if partner has the Queen of hearts? How can we find that out? Well, Eric Kokish once wrote an article about a hand where he set a false trump suit in order to collect the information he needed in another suit. I did that also once, wrote an article about it with this title: Hommage to Eric Kokish. Alas, I don't have that article anymore (I am pretty sloppy with things and quite lazy also).

So lets go back to our hands and instead of 3♠, let's bid 3♥.



As I say all the time, we tend to play too fast at bridge. I once lost a chess tournament game by playing too fast. What's so special about that, you are asking? It was a game by correspondence!

In bridge, the pleasure, the exhilaration, is not in the result, it is in the journey. So take your time: think, think and think again before making a bid or a play. Enjoy the thrill of thinking ahead, and savour the surprise of your partner when you will put her in 7♠!

My Dog Shawnee and the Queen of Diamonds

West opens 1♥, your partner passes and East also. You have:



Have you discussed with your partner balancing bids in 4th seat? No? Well, you have a lot of work to do.

Let's say you reopen with 1NT, 11-16 over a major opening, with or without a stopper (nothing's perfect). West rebids 2 ♥ and your partner doubles, negative. What is your bid?



As your range (11-16) is quite large, you have now to bid your hand to the fullest. So you jump to 3♠, showing 4 cards and a maximum. Your partner bids 4♠ and everybody passes.

West leads the heart king.



You swear silently against your partner (you will understand later why silently). Why did't she (yes, it is my wife) bid 3NT? But now is not the time for recriminations, you have to make 10 tricks.

You duck the lead and LHO plays back a small heart.

He was end played on the lead with most probably KQ of hearts, the Queen of diamonds and AQ of clubs.

He could have played back a spade, but he didn't want to squeeze his partner's trump holding (he doesn't know your spades are anaemic).

You win with your heart Jack and... pause. Count!

West has repeated his hearts, so he has 6. Spades are probably 4-2. So East has 4 spades and 2 hearts (if he has 5 spades, it will be verrrrrry difficult).

He will always make a spade trick, so why not give it to him now? But in a peculiar way!

You are not the best player of the club for nothing. My idol Julius Caesar used to say: "Better to be 1st in Ste-Adele than 2nd in Buenos Aires!"

He was not talking about bridge, but we can transpose and use those famous sentences in other circumstances, can't we?

You play a club.

West jumps with his Ace and plays back a 3rd heart, ruffed by East, killing your Ace. But that heart Ace was useless anyway.

Opponents must believe you have lost your mind (your wife and partner looks absolutely certain you are crazy), but you are not the best player of that club for nothing, I repeat! They don't know it yet, but you are in the process of counting the hand. So you sacrificed the Ace of hearts for the big picture, opponents being reduced, in your superior mind, to mere pawns in your brilliant plan of making the contract.

After his ruff, East, endplayed now, plays back a club; small, Queen and King from dummy.

How will you play the diamonds?

First you have to play the spades and clubs to obtain the count.

Small spade to your Ace, Queen of spades (West had 2, like you pictured) and a 3rd spade to dummy's King.

Then Jack of clubs, both following, and small club ruffed, West pitching a heart on the 4th club.

The hands were then:



The position is now:



The Queen of diamond is the card you have to find now.

You play against club players who open majors with 9 points and minors with 14, and who never alert! They often play 70%, but never against you! Enough with the hesitations and bad mouthing.

Where is that Queen of diamonds?

Barry Crane, the world's greatest matchpoint player (May he rest in peace. He was assassinated 2 or 3 months after calling the director against my wife. She assures me it was not her. Now I always swear silently, as you saw previously, that is why I am still alive. You live and you learn, they say. In my case, You learn and you live), so Barry Crane said the reason for his successes was called Oscar, a mythical bird that would stand on his left shoulder and tell him how the cards lie.

Well, in my case, it is not a bird, but my Airedale dog, Shawnee, who sits down on my left (not on my shoulder, she weighs 75 pounds!) and who, depending on the card I am looking for, puts her left paw on my lap (telling me the card is on my left) or her right paw (I let you conclude).

Either that, or she wants a cookie! :)

She can also push me with her nose: twice, the card is on my left; once, well... you should know by now. Either that, or she needs to go out.

All this nonsense to tell you I don't know where is the damn Queen of diamond.

I know West has 2 diamonds and East, 3. So 3 chances for the Queen to be on my right, and 2 on my left.

But these scoundrels open majors with 9 points, and weak 2's with 5 to 8, but sometimes they have 7 cards and 11 points.

No alert, ever.

I give a look to Shawnee, she looks back at me with teary eyes, then closes her eyes, opens them again, looks to the side. It is obvious she is at a complete loss: no paw, no push with the nose. These players are so unpredictable (even them sometimes, they don't know what they are doing) that she is mystified. Poor me! I am all alone. Even my dog is abandoning me.

I have been thinking for at least 2 minutes, torn between 2 lines of play.

Then I see how I will play those diamonds. A clue? It is worth what it is worth but I want those players to suffer, I want to give them false hopes and then, at the instant they will think they have me, crush them (the hopes, not the players). Did I tell you I was the best player of that club? Yes? Just in case you forgot.

So I play the 9 of diamonds from hand. Has West hesitated a bit? He follows with this microscopic slowness that looks too quick (WOW!) and you know then you got him. Ace from dummy, small from East.

Small diamond from dummy, small to your right, King from hand, QUEEN!!!

Wouf, wouf, says Shawnee!!

Man about universe (II)

In 1996, I had entitled this way an article that won the prestigious Bols Bridge Press Award (Man about universe). The year before, I had made the final with The Apple, the Law and the Principle that was also published in BBO News.

A man about universe is penetrating, profound, contrary to the man about town who is superficial. The man about universe bridge player sees through appearances, like a poet, very different from the man about town bridge player who takes the 1st finesse he can and... goes down.

The following hand was played by Nicolas L'Ecuyer in the finals of the Canadian Championships, against Eric Kokish, Number One bridge coach in the world.

Your partner opens 1♣, Kokish on your right bids 1♥ and you have:



As the finals of a National Championships are not for timid souls, you jump to 3NT and all pass.



George Mittelman, Canadian Champion and World Mixed Pairs Champion, leads the 4 of spades (attitude lead). Kokish wins the Ace and plays back the 7, showing probably 3 cards. You win the King and... you have to make the rest, the spades being established.

You have 8 sure tricks: 1 spade, 4 hearts (your heart spots are not enough to make 5 tricks), and 3 clubs. You can find the missing 9th trick in clubs if they break 3-2. Even if they split 4-1, if you find J or 10 stiff on your right, you will make 4 tricks. Do you play clubs right away? All the men about town would, and complain after, if they go down, of their bad luck.

Nicolas, like all champions, hates to go down in cold contracts and hates even more to play without thinking, without trying all he can to avoid being forced to guess. The top players never guess, they count. And if ever they guess, it is because they are forced to, the events force them to guess. At the crucial moment, when they absolutely have to guess, they then transport themselves into another dimension, the 4th dimension, reserved to really exceptional players, brilliant, men about universe.

After winning the 2nd trick with the King of spades, Nicolas cashed his 4 heart tricks, watching intently Mittelman's discards: 3 diamonds (8, 9 and 10), then the 9 of spades. Nicolas knew at that moment that Mittelman had 5 spades, and most probably 4 diamonds and 4 clubs. With 5 diamonds, he could have led that suit. As he led spades, it should be his 5 card suit.

The more Nicolas cashed his heart tricks, the more Mittelman was finding the situation difficult, if not unbearable.



Finally Nicolas played his 2 of clubs and Mittelman followed with the 5, in tempo. Well maybe a tiny too much in tempo, with that forced relaxed way that wants to show: No problem here. Nicolas knew at that moment Mittelman had 4 clubs and he asked himself why he didn't discard one.

Follow closely: Nicolas knew that Mittelman knew that Nicolas could play small club to the Ace, then club to his King, finding the 4-1 break and pinning the Jack or the 10 stiff with Kokish, if ever that was the case.

Why didn't he discard a club? Nicolas was asking himself. To put yourself in the other player's position is one of the top qualities of a champion. So Nicolas put himself in Mittelman's shoes.

When he played the 2 of clubs, he knew he was missing J10854 in the suit. He knew also Mittelman had 4 clubs and Kokish only one. When Mittelman put the 5 of clubs on the table, Nicolas knew this was a true card, the lowest (Kokish-Mittelman play udca), and thus, Kokish could have only the... 4. If the 5 is the lowest, then Mittelman's clubs have to be J1085.

Nicolas called for the 9, making 4 tricks in the suit and eventually claiming the Canadian Championship.

Would you say Nicolas was lucky? No, luck doesn't exist at bridge. Nicolas would tell you that playing the 9 of clubs was a 100% play, that he was taking no risk.

I told you: great players don't guess, they count. However, in this arithmetic enter not only the cards, but also all the information floating around the table: the hand count for sure, but also the way the players stay still or move, their twitches, their tempo, their will to play in tempo, their determination not to have twitches, not to hesitate. And, in case of really superior players, we have to add, I think, this other power, indescribable, non measurable, that we can almost associate with the instinct of an animal who "smells" the cards.

Only a man about universe can access this supernatural arithmetic, and has enough confidence in himself, enough courage to play the way Nicolas played.

The kibitzers, and maybe Mittelman himself, must have thought Nicolas had seen the cards. When a player makes a play that prodigious, we first are shocked. Then we might become a bit irritated, telling ourselves that play was impossible, that he really saw the cards.

Then, after being forced to admit everything happened correctly and ethically, that nobody peaked, we feel, I think, a bit of jealousy in front of that amount of intelligence. And finally, if we are honest, if we can put aside all our mistrustfulness, we cannot help feeling a profound admiration for the infinitely superior player, and marvel once again about this magnificent game we play, that gives us sometimes the chance to equal the gods.

The Hollow Needle

When I was 12 I discovered books and... Arsène Lupin, the brilliant, congenial and uncatchable thief created by French writer Maurice Leblanc.

Devouring thousands and thousands of pages, novel after novel, I was traveling everywhere in France, especially in Normandy, in this region called Caux, a triangle between Rouen, Le Havre and Dieppe, with all those poetic names, but one in particular, Étretat. How I dreamt of this name, Étretat, of that landscape, of that view.

In July 1995, and then again in 1998, I finally climbed the famous cliff that enchanted my youth and discovered, for the first time, the Hollow Needle.

At the summit of the cliff, a hundred meters above the sea, you find yourself at the base of a half circle of around a kilometre. To the far left, you see a rock called Magna Porta (Big Door); to the right, another big rock called Porte d'Aval (Door Downstream). They are called doors because the cliff, in both cases, throws an arm in the sea, creating a hole though which you can pass. The Hollow Needle, a rocky cone of around 80 meters high, is situated in that half circle, on the right side, about 50 meters from Porte d'Aval.

In this novel, "The Hollow Needle (L'Aiguille Creuse)", Arsene Lupin is chased by a young student, Isidore Beautrelet, who uncovers all his plans, only by thinking and logic. Young Beautrelet puzzles all veteran policemen with his unorthodox method of not looking for clues, but of imagining first a hypothesis and seeing afterwards if the facts correspond to this hypothesis.

"And if the facts don't comply?" asked the inspector, ironic.
"Well, they will be wrong and I will look for others more docile," responded Beautrelet.

First position, vulnerable, your LHO, a very capable player, thinks for a while and opens 3♠. Your partner, non vul, bids 4♥. RHO passes and you have:



For her 4♥ bid, partner should show a good hand. You Blackwood and end up in 6NT. LHO thinks again for some time and leads... a heart.



Oops! A bit high, no? But you're not down yet.

Let's apply the Beautrelet method, let's imagine a hypothesis, let's place cards in LHO's hand that will permit us to succeed. You see right away that he needs to have a stiff Ace or King of Diamonds.

On the lead, won with the Ace in dummy, RHO plays the 10, maybe a singleton. We need to extract the second heart from LHO's hand and then play a diamond. If he has a singleton honor in diamond, he will be endplayed, forced to play a Spade or a club. At the second trick, you cash the heart King. RHO signals violently in Diamonds.

You then play a diamond, small, small, King!!! LHO thinks. Wow, your hypothesis was perfect. The more LHO thinks, the happier you are. While he thinks, your mind wanders on the cliff of Étretat and the analogy strikes you: with AQ6 to the left of your hand and K10xx of Clubs to the right, like two open doors, will LHO play into the Magna Porta AQ6, or through the Door Downstream K10xx, the Hollow Needle being obviously Diamonds?

After a lot of thinking, he plays back... the club Queen, right into the Door Downstream. That play leaves you speechless.

Does he really have QJx in Clubs? Too easy!, would say my friend Arturo. Arturo came to this conclusion while we were looking for a parking place in Florence and came upon a big empty place. Let's go further. Would LHO play the Queen without QJx? It is a fact that we play the Queen only when we have QJx.

"The facts are the facts," the inspector said to Beautrelet.
"With ordinary adversaries, yes," responded the young man. But, if the enemy has some ruse, the facts are the ones he has chosen. All those famous clues upon which you base your investigation (like opponents' signals in defence), it is easy for him to give you phony informations (falsecards). And when the opponent is Lupin (or a good bridge player), you can see to what total ineptitude he can lead us."

You look and look at the club Queen, trying to calm your heart. Arturo's words spring again in your mind: Too easy!

"Really, you say to yourself, I only have to win with my King and play to the 9 in dummy and I will cash 12 tricks in this impossible contract?"

You give a look to your LHO. He kindly smiles back. Suddenly, you recognize him: behind this benevolent expression, it's him, Arsene Lupin, and his words come back to you:

"When you will think you're about to grasp victory, it will escape you. There will be something... a detail... the sand pebble I will have placed somewhere that you will have missed."

You call upon all your will in order to think and count.

IN BRIDGE, COUNTING IS THE ONLY ANTIDOTE TO STRESS AND ANGUISH.

Lupin knew you could cash 7 heart tricks, 1 Spade and 2 Clubs, for 10 tricks. Why would he play the Queen of Clubs, giving you 4 tricks if he has QJx? Why would he play like that? Does he know something you don't know? You can't help hearing his voice, full of mockery:

"Who knows if the trap where you will fall inevitably is not already open?"

The club Queen is still on the table, shining brightly, so attractive. Almost ready to succumb, you succeed in breaking the fascination that paralyzes you and you decide to count RHO's hand: he has 1 heart, 7 diamonds. If he has 2 Spades, he has 3 little Clubs, which is logical with the bidding and LHO's club Queen. Too easy, says your instinct, too easy. There is something else, you're missing something. Go back to the bidding.

Suddenly, you have a shock, the light is so bright you have to close your eyes: LHO hesitated before opening 3♠. Did he open 3♠ with 8 cards because he was vulnerable? He would then have 8 Spades, 2 Hearts, 1 diamond and 2 Clubs. And RHO would have 1 spade, 1 heart, 7 diamonds and 4 clubs. If LHO had played back a spade, he would have submitted himself and his partner to a deadly squeeze and nobody would have been able to guard the Clubs. The only option left was to create an illusion, to try and make you believe he had QJx in Clubs.

This last hypothesis (distribution 1174 in RHO) being the one (if the facts don't comply, I will look for other ones, more docile, said Beautrelet) that will permit you to succeed, you then have to base your plan on that hypothesis and reject all other clues (attitude signals, count signals, preference signals, switch that seems to give you the contract, etc.) that opponents offer you. They are all false leads.

You win the club Queen in dummy with the Ace. You win the club Queen in dummy with the Ace. The situation should be this one:



You play first the ace of spades. Then you cash the 5 heart tricks in dummy, watching RHO's discards. He discards all his Diamonds, except the Ace. At trick 10, on the last heart, if he discards a spade, it will mean Lupin's got you. It is the moment of truth: you play the last heart and East pitches a... club. You discard the now useless Queen of diamond. The situation is now:



You play a club from dummy, small, 10 from your hand, winning. You cash the last 2 Clubs for +990.

Lupin gives you a look of admiration and murmurs:

"Well played, young man."

The four hands:

Transubstantiation

Do you know what is transubstantiation? Am I taking you too far back? It is the story they told us, when we were young, that, bread and wine became the flesh and the blood of Christ.

Is there transubstantiation at bridge? Look at this hand. I hope I am not offending anyone.



Only 11 points, but you open 1♣ obviously. Your partner bids 1♠. Your spade Ace is a nice card, but you still have only 11 points. You rebid 2♣ and LHO comes to life with 2♥. Your partner competes with 3♣. Do you still have only 11 points?

If you believe so, you don't know transubstantiation. More matter of fact, if you still think you have only 11 points, you simply don't know how to add.

Watch carefully: your 11 points are now transformed into... 8 tricks! That is really transubstantiation, and at bridge, you make contracts with tricks, not with points.

So wake up!!! How do you continue?



Here, a cue-bid would be of good taste. What would be 3♥? Forcing. As long as you don't bid a pathetic and unimaginative 4♣.



Over 3♥, your partner bids 3♠, no heart stopper, but something good in spades. Otherwise, he would bid 4♣.

So partner has the spade king. With 3NT out of the picture, you retreat to 4♣, waiting for partner's next move.

He bids 4♦, cue. Quite happy with that, you cue-bid 4♥. Partner then invokes RKCB. Your bid shows 0-3. Partner concludes with 6♣ and you await dummy with heart pounding, as always when you reach slam.

The lead is Ace of hearts.



Lead ♥A, you ruff the second heart and play 2 trumps. Then spade Ace, spade to the King. The Queen falls graciously and you claim. 12 tricks with 20 points (heart Queen doesn't count).

So you see: all those stories that you heard when you were young are true. Transposed in the world of bridge: with a fit, points become tricks.

It is called transubstantiation.

The Completeness of the Cross-Country Skier

Traveling in Europe for 5 weeks, I discover one day that I miss bridge. It is the first time I feel that way. Analyzing what I feel (I am not a bridge player for nothing), I identify that I do not miss the game itself, but the way I feel when I play bridge. I then experience a well-known phenomenon among long distance runners or cross-country skiers (skating technique): after the first 2 or 3 kilometers, the skier access a rhythm, a level (also known as second wind) where he doesn't feel the effort anymore, where he could ski forever without ever feeling fatigue.

The skis skating in tempo, arms pushing with the poles in perfect synchronism, you attain this eurhythmy that you don't want to leave: left, right, left, right, on a flat surface, you pace yourself to avoid becoming winded and you access eventually nirvana, you just float.

If you have never experience this sensation, you have no idea of paradise, you have never tasted eternity. We now know this sensation comes from a drug called endorphin, secreted by the hypothalamus, which has analgesic properties, suppressing the pain. At bridge also, this sensation exists. After the first efforts, your mind sometimes access this state of keen awareness and you become extra lucid.

Before the match, you feel this nervousness caused by the anticipation of pleasure, and also by a slight fear of mistakes which lies deep under this confidence you have acquired in all those years. You are capable, you know you are capable, but stage fright is always present, like before 20 kilometers at ski: you feel this little weakness in your knees, you apprehend the start, you wonder if your body will react properly, if the wax is the right one and if your triceps will respond with energy.

At bridge, after the first 2 or 3 boards, you sometimes access this second wind and the most obvious sign is a lucidity, a clearness of your thoughts which gives you, even right after the lead, the complete count of the hand.

Sometimes, you need to climb a hill and you have to be careful not to push: keep the rhythm, that is the most important thing. If not, you will be out of energy at the top. When you arrive at the top of the hill and start the descent, you have to refrain yourself also. Conserve energy till the last 2 kilometers, then you can go all out, pushing to the maximum in order to glide the fastest you can and intoxicate yourself with these few instants robbed to you own mortality.

At bridge, often, the ascent is tough because, at the beginning of the hand, you have only a few clues. You need then to take more time, think, pace yourself in order to count, imagine, visualize. After 4 or 5 cards, you access this plateau where you know all the elements, the count is clear and you just have to glide. But you cannot go all out, a mistake is always possible if you play too fast. When there are only 2 or 3 cards left, then you can press, you know if you will succeed or fail.

In 4th seat, you have: ♠J962 ♥xx ♦AKx ♣AK9x. LHO passes, partner passes, RHO opens 1♦. You overcall 1NT. Partner, after transferring to hearts, bids 3NT. LHO leads the 4 of spades.



First, count your tricks: 3 clubs, 3 diamonds, that's all. Well, the snow is good, and your wax is perfect, so don't rush, pace yourself, it is an uphill climb and don't exhaust yourself right away. First some warm-up exercises (to avoid tendinitis of the brain), analyze the lead: if it is 4th best, the rule of 11 tells you there are 7 cards above that 4 of spades. RHO then has 2 cards higher than the 4. Does he have AQ stiff? Possible. Or he has Ax or Qx. Anyway, you don't have to play the king from dummy. You call a small spade from dummy, RHO plays the Queen and plays back a spade. You play small, LHO plays the 3, confirming 5 cards. The King wins and... catch your breath.

Analyze now RHO's opening bid. What does he have? He has the spade Queen, the Jack of diamonds and the Jack of clubs. That's only 4 points; he needs to have then AK of hearts. He has opened in 3rd seat to make some noise, but you can analyze that noise and use it to your advantage. You need 9 tricks. You already have 1 spade trick, plus 3 in diamonds, that's 4 tricks, plus 3 in clubs: 7 tricks. You are missing 2 tricks and the position of AK of hearts tells you you won't make a trick in that suit.

Is the hill too steep today? Have you spent all your energy already? But, the weather is ideal, the wax is perfect, your legs are strong.

Analyze again. Do you see where to start? Pace your breathing, slow down in order to keep control.

Count again. You need 9 tricks: you have 1 spade, 3 diamonds and 3 clubs, 7 tricks. You absolutely need 4 club tricks to attain 8 tricks... Suddenly, you feel you have regain control, your breathing is normal again, all those hours of practice were fruitful. If you make 4 club tricks, it means clubs are 3-3. So RHO has 3 clubs, and you know he has 2 spades. Your mind sees now clearly: RHO has opened 1♦, he has to have at least one more diamond than clubs. How many diamonds does he have? Control your breathing, don't rush. RHO has most probably 4 Hearts and 4 Diamonds.

The 4 hands are then:



or


Analyze one more time: you need 9 tricks. You have 1 Spade, 3 Diamonds and 4 Clubs, 8 tricks. You need one more and the position of AK of Hearts means you can't make a heart trick. Still, you need ABSOLUTELY to make one trick in Hearts. Impossible, but it is the only way. The sphinx enigma, the Gordian knot, squaring the circle, a four-leaf clover, understanding women (and playing with your wife), all those impossibilities are spinning in your head. But, at the same time, you feel you are in control, you are calm. This feeling indicates you sense there is a solution.

As you cannot play hearts, cash your 4 club tricks. On the 4th club, LHO discards a diamond, you discard a heart in dummy, RHO hesitates, thinks, and finally throws the 9 of Hearts. THINK, breathe and visualize! If RHO has the 2nd hand:



All you have to do is play a heart and duck in dummy. East's Ace or the King will catch air, he will have to play back a diamond, you will win in hand and duck a 2nd heart, establishing 2 heart tricks in dummy for +430.

The 35 km sign appears in the distance, you breathe a bit more heavily, you are going to fast, control yourself. You know the 35 km sign is deceitful: at the top of a ascent, it seems to signify the end of the uphill, but it is an illusion. When you will attain kilometer 35, you will still have another kilometer of climbing before reaching Kilometer 34, the start of the real downhill. Don't rush, think again: is East really down to only AK of hearts? He would then give you the contract? No. So his hand has to be:



This heart discard from East shows he has 4 hearts, thus 4 diamonds. So all you have to do is cash AKQ of diamonds, then play a heart to the Queen: East will cash AK of hearts, then one diamond, but he will have to play a heart to the Jack in dummy for your 9th trick. A magical +400.

This stepping-stone play gives you a shot of adrenaline (enemy number One of the bridge player, but at this moment, you can afford it), and you push even harder on your skis and poles. What a rush!!!

Kilometer 34 sign appears and the descent starts till km 32. You have saved some energy for those last minutes of pure joy. At the moment you feel you are starting to go downhill, when your legs tell you that you are not going uphill any longer, when you don't fell anymore this burning in your thighs, you know you have succeeded, you know you will literally access heaven, you will get drunk with speed (skating technique allows speeds reaching 40/50 km/h).

The skiers in classical technique that you see going uphill are like phantoms passing by on your right and your left (skaters occupy the center of the trail), you are literally flying, on cloud nine.

You have conquered gravity, you have defeated your own weakness, your penchant to give up because it is too tough, you have vanquished your own imperfection, you live the completeness of the cross-country skier

The hand: